Rotation 4– Begins 23rd June 2022
All ABOARD THE ORIENT EXPRESS FOR TRIESTE - JANUARY 1923
Ludwig von Brunveldt III...............Paul........German/Dutch. Prof. Psychology (Pompous. Teutonic.)
Hubert Black................................Tony.........English. Thespian (Orator. Tumultuous.)
Lettice Jayne Rose Henderson....Doug......English. “Letty”. Private Detective (Acrobat. Big-boned.)
Nicolas Cartwright........................Mel.........English. Stage Magician (Squeamish. Eccentric.)
Pierre Boudin-Noir........................Jim.........French. Art Dealer (Charismatic. Parisian.)
George Banks..............................Hugh.......English. Saville Row Tailor. (Cockney. Suave.)
Sedefkar Simulacrum
Pierre has suffered with pain and numbness to his arm since he was the first to touch the left arm of the simulacrum that we gained at Poissy in France. Hubert has had a bad chest and cough since acquiring the torso of the simulacrum at La Scala in Milan. Ludwig has had stiff and painful leg since he grabbed hold of the left leg of the simulacrum at the clock tower of the Palazzo Rezzoniani in Venice.
Sedefkar Scrolls
We possess just one of the five scrolls, the Scroll of the Head.
TRIESTE
Friday 25th January 1923
Trieste Central Station: Ludwig closed the Latin manuscript, the Devil’s Similare, after reading its content regards the strange events that took place against the backdrop of the Fourth Crusade. It was exactly 7.54 pm and the train was pulling in to the Stazione di Trieste Centrale on the Piazza della Libertà.
The Bora: Alighting to the platform, strong gusting winds were immediately apparent. People on the platforms held on to their hats, porters struggled to secure loose items against blowing over and the roof tiles rattled. This phenomena, we learned, is the Bora; the strong winds synonymous with city of Trieste at this season.
George Banks: Banks boarded the Orient Express at Venice. It was a pleasure to see a friendly face once more. He had received news from James Beddows, Smith’s man-servant. The Turks had tracked them down but Beddows arranged for him and Smith to move on again and were safe once more.
Hotel: We take rooms at the magnificent seafront Savoia Excelsior Palace, overlooking the Gulf of Trieste. We check in, deposit our passports and arrange for our luggage (containing three parts of the simulacrum) to be locked in a secure room for the duration of our stay. After an excellent meal, we discuss our plans over brandy and cigars. We know from Beddow’s notes that Napoleon’s troops entered Trieste in 1797 reputedly carrying a part of the simulacrum with them. Beddow’s notes also urged us to seek out Johan Winckemann at the museum in Trieste.
Saturday 26th January 1923
Bad Dreams: Cartwright and Hubert came to breakfast a little late. Both looking worse for wear. They had suffered terrible dreams last night – the same dream in fact. Nightmares of a large creature or creatures stirring in the darkness, and then there were swirling waters and the creature moved quickly towards them. And there the dream ended.
Museo di Storia e d’Arte: We take taxis to the museum, which is situated on the slope of a steep hill close to the city’s landmark castle and cathedral – the Cattedrale San Guisto and Castello di San Giusto. The Bora today seems stronger then yesterday. We witness citizens leaning into the wind to avoid being blown over and hanging on to the handrails that line the streets.
The museum has sizeable galleries devoted to Egyptian, Greek and Roman collections. Hubert asks a staff member if we can see Johan Winckelmann. The staff member gives Hubert a strange look and then informs us Winckelmann can be found in the adjacent gardens.
Giardino Lapidario: Entering the gardens, there is no sign of anyone here. The gardens are terraced and within there is a cenotaph in the form of a replica Roman temple and on a wall is a frieze of inestimable age, but like the replica temple, is probably not as old as its styled to look. The frieze depicts a puzzling scene in which humans, many of whom have arms and legs missing, are engaged in acts of worship, making offerings to reptilian figures. The cenotaph contains a stone sarcophagus. Reclining on the sarcophagus is a carved winged figure holding a medallion. The visible side of the medallion has a head in profile that looks like it belongs to a classical age. The sarcophagus has a simple Latin script that translates as - Johan Winkelmann, 8th June 1768.
Biblioteca Civica: We cross the city to the library in order to research Johan Winckelmann. We discover facts about his life under the names Johan and Joachim. Winckelmann was born at Stendal in Prussia, 9th December 1717. The most interesting facts to us were his murder and the distribution of his belongings.
The Fate of Johan Winckelmann: Winckelmann wrote to friends before his death to the effect that a melancholy was upon him. He and a travelling companion, an art dealer named Cavaceppi, parted ways. Cavaceppi headed for Vienna whilst Winckelmann headed for Trieste. At Trieste he met a man named Francesco Arcangeli, a thief, cook and pimp. During what was reportedly an attempt of robbery, Arcangeli strangled and stabbed Winckelmann. Arcangeli was arrested and executed for the crime. He was broken on a wheel outside the hotel where the murder was committed. Winckelmann was buried in the Cattedrale San Giusto churchyard. This was later moved to the Giardino Lapidario. A cenotaph was erected to Winckelmann in the gardens several years after his death.
Winckelmann’s Belongings: Winckelmann left most of his possessions to a waiter at the Locanda Grande hotel at which he stayed. His medallions eventually went to the Museo di Storia a d’Arte while his papers, including a personal diary, were sold at auction to an historian named Giovanni Termona.
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